Where
Legend Remains

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Playlist

  • All Those Endearing Young Charms
  • An Outlandish Knight
  • Chin Nibbler and Stresspopper
  • Come by the Hills
  • The Derby Ram
  • Dia Luain Dia Mairt
  • Fill the Bright
  • Forest Home
  • Mica Mica Parva Stella
  • Mr. Buccaneer
  • Some Kind of Magic
  • The Fox
  • Fay Parade
  • Under Yonder Oaken Tree
  • Wraggle Taggle Gypsies
Where Legend Remains
"Haunting and beautiful
at the same time!
"
Featuring Vocals, Electric and Acoustic Guitars, Mandolin, Keyboards, Xylophone, Didgeridoo, Bass, Drums and Percussion.

All Those Endearing Young Charms
Thomas Moore 1779-1852

Believe me if all those endearing young charms
Which I gaze on so fondly today,
Were to change by tomorrow and fleet in my arms
Like fairy gifts fading away.
Thou woulds't still be adored as this moment thou art
Let thy loveliness fade as it will.
And around the dear ruin each wish of my heart
Would entwine itself verdantly still

Forest Home
Douglys/J.Karasik/D.Askins

Groundhogs beside the road,
Fleas and
A cacophony of birds and flies.
Lemongrass, wild raspberries,
And bouquets of Queen Ann's Lace,
Walking for miles on quiet roads
Gone for hours alone.

Climbing a burled tree
Grab the rope swing and
Come splashing down into the stream
Crawl on a mossy ledge
Feet in the water, sitting next to
A little frog that stays and stares
I feel the drifting away of my cares

Damp sweat on rock walls
The way salt becomes waterlogged
and un-shakable
The incense that always burns
Sandalwood, nag champa, cinnamon musk
The way everything seemed so dark
Until my eyes adjusted.
Gone for hours, gone for years,
Gone forever alone with you
In the forest home

Mica Mica Parva Stella
Twinkle Twinkle Little Star
(Translated into latin by my
9th grade Teacher, Mrs. Payne -B.)

Mica, mica parva stella
Mirrir quinam cesse tom bella
Slpendanes animus in elloi
Alba vella gemma caelo
Mica mica parva stella
mirrir quinam cesse tom bella

Mica, mica parva stella
Mirrir quinam cesse tom bella
Slpendanes animus in elloi
Alba vella gemma caelo
Mica mica parva stella
mirrir quinam cesse tom bella


Mr. Buccaneer
Douglys/D Askins

How have you been doing?
What cha been up to?
Tell us Mr. Buccaneer
How's it been for you?

Have you kissed the mermaids
Under skies of blue?
Listening to the sirens' song
Wondering what to do

If you'd like to tell us
We would love to hear
Share some of your rum with us
And we will be all ears

Have you been splashing with the dolphins?
Swimming with a whale?
A calm and quiet ocean
Up comes a feisty gale

Swinging round the masthead
Lightening, rain, and wind
Did you ever wonder
When would your journey end?

We would really love to hear
What cha been up to
Tell us Mr. Buccaneer
How's it been for you?

Some Kind of Magic
Douglys

For the longest time you were just a dream of mine,
And like the stars you were never close enough
Then you took me by surprise with that look in your eyes,
Now I've found what dreams are made of.

You must know some kind of Magic
You've made all the other lovers disappear
High and low, I have tried to imagine
What my life would be like if you were here
Some kind of magic.


If I'd known it were true that I could spend one day with you
I'd have always been counting down the days
As we laughed in the night, as we held each other tight
We felt the rush, in so many ways.

(cho)

Close my eyes anywhere, I can always see you there,
But I want to see you face to face
We'll be wild, we'll be free, you are everything to me
Nobody else could ever take your place.

(cho)

You must know some kind of magic
You've made all the other lovers disappear
High and low, now I don't have to imagine
What my life would be like 'cause you're right here
Some kind of magic.

The Fox

The fox went out on a chilly night.
Prayed for the moon to give him light
He'd many a mile to go that night
Before he'd reach the town-o, town-o. town-o
He'd many a mile to go that night before he'd reach the town-o.

He ran 'till he came to a great big pen
Where the ducks and the geese were kept therein.
"A couple of you will grease my chin
Before I leave this town-o, town-o, town-o,
A couple of you will grease my chin before I leave this
town-o"

He grabbed the gray goose by the neck
and slung the duck across his back
He didn't much mind the quack, quack, quack.
Or the feet all danglin' down-o, down-o, down-o
He didn't much mind the quack, quack, quack
or the feet all danglin' down-o

Then old mother Flipper-Flapper jumped out of bed
Out of the window she cocked her head, crying,
"John, John, the gray goose is gone
And the fox is on the town-o, town-o, town-o,
John, John, the gray goose is gone and the fox is on the town-o.

John, he ran to the top of the hill,
And he called for his hounds both loud and shrill
The fox said, "I'd better flee with my kill,
Before they're on me trail-o, trail-o, trail-o,
The fox he said, "I'd better flee with my kill
before they're on me trail-o."

He ran 'till he came to his cozy den,
And there were his little ones, eight, nine, ten
Cryin' , "Daddy, Daddy, better go back again,
'Cause it must be a mighty fine town-o, town-o, town-o,
Daddy, Daddy, better go back again,
'cause it must be a mighty fine town-o.

Well the fox and his wife without any strife
They cut up the goose with a fork and knife
They never had such a supper in their life,
The little ones chewed on the bones-o, bones-o, bones-o,
They never had such a supper in their life
and the little ones chewed on the bones-o.

Fay Parade
Douglys
(instrumental)

Under Yonder Oaken Tree

Under yonder oaken tree,
Whose branches oft me shaded;
Elves and fairies dance with glee,
When day's last beam hath faded:
Then while the stars shine brightly,
So airy, gay and sprightly,
'Till Chanticleer tells dawn is near,
They trip it, trip it lightly.

Yet no trace of them is seen,
When morning rays are glancing,
Not one footprint on the green
Shows where the elves were dancing:
Oh! where are they abiding?
In what lone valley hiding?
Come next with me and we will see
The fairies homewards gliding.


Wraggle Taggle Gypsies

There were three gypsies come to our door
Downstairs ran our Lady-o.
One sang high, one sang low.
and the other sang bonny bonny biskay-o.

She pulled off her silk finished gown
and put on the hose of leather-o.
Those ragged taagged rags all about our door
and she's off with the wraggle taggle gypsies-o

It was late last night when our lord came home
inquiring for his lady-o
We servants said on every hand
she's off with the wraggle taggle gypsies-o

O saddle to me my milk white steed
and go and fetch me my pony-o
That I may ride and seek my bride
who's off with the wraggle taggle gypsies-o!

O he rode high and he rode low,
he rode through woods and copses too
Until he came to a wide open field
and there he espied his a-lady-o.

"What makes you leave you house and land,
What makes you leave you money-o?
What makes you leave you new wedded lord,
to follow the wraggle taggle gypsies-o?"

"O what care I for my house and land?
What care I for my money-o?
What care I for my new wedded lord?
I'm off with the wraggle taggle gypsies-o!"

"Last night you slept on a goose-feathered bed,
with the sheets turned down so dainty-o.
Tonight you sleep in a cold open field
along with the wraggle taggle gypsies-o!"

"What care I for my goose-feathered bed
with the sheets turned down so dainty-o?
Tonight I'll sleep in a wide open field
kept warm by my wraggle taggle gypsie-o!"

It is not while beauty and youth are thine own
And thy cheeks unprofained by a tear
That the fervour and faith of a soul can be known
To which time will but make thee more dear
No, the heart that has truly loved never forgets
But as truly loves on to the close
As the sunflower turns to her god when he sets
The same look which she turned as he rose.

Outlandish Knight

An outlandish knight came from the northlands;
And he came wooing to me;
He said he would take me to foreign lands
And he would marry me.

Go fetch me some of your father's gold,
And some of your mother's fee,
And two of the best nags from out of the stable,
Where there stand thirty and three.

She mounted upon her milkwhite steed,
And he on the dapple gray;
They rode till they came unto the seaside,
Three hours before it was day.

Light off, light on, thy milkwhite steed;
Deliver it up unto me;
For six pretty maidens I have drown'd here,
And thou the seventh shall be.

Doff off, doff off thy silken things,
Deliver them up unto me;
I think that they look too rich and too gay
To rot all in the salt sea.

If I must doff off my silken things,
Pray turn thy back unto me;
For it is not fitting that such a ruffian
A naked woman should see.

He turned around his back to her
And looked out over the brim.
She caught him around the middle so small
And bundled him into the stream.

Lie there, lie there, you false-hearted man,
Lie there instead of me,
For six pretty maidens hast thou a-drowned here
The seventh hath drown-ed thee.

She mounted on her milkwhite steed,
And led the dapple-gray;
She rode till she came to her father's house,
Two hours before it was day.

Chin Nibbler and Stresspopper
Douglys

At the break of dawn in a greening spring forest
Stresspopper the pixie was meandering...
His spirit took flight as the misty breeze
Brought to him the sound of sweet melodic dreams.

It was the song he had heard in a dream
When he was only a wee bit of a pixie

He felt at one with the mountain meadow
As he never had before...
The music stopped and he heard her laughter
And saw the face he could only adore.

She was the girl he had known in a dream
When he was only a wee bit of a pixie

The pixie girl was perched up in the very tree
Where sitting under, and mesmerized was he
She glided down and sat beside him there
They felt as in the world, they had no care.

It was the joy they had known in a dream
When they were both a wee bit of a pixie

They laughed for hours, they played some tunes
He called her Chin Nibbler when she nibbled his chin,
They rode an owl to the crescent moon
They always were and they'll have no end

Come by the Hills

Come by the hills to the land where fancy is free
And stand where the peaks meet the sky and the rocks reach the sea
Where the rivers run clear and the bracken is gold in the sun
And cares of tomorrow must wait till this day is done.

Come by the hills to the land where life is a song
And sing while the birds fill the air with their joy all day long
Where the trees sway in time, and even the wind sings in tune
And cares of tomorrow must wait till this day is done.

Come by the hills to the land where legend remains
Where stories of old stir the heart and may yet come again
Where the past has been lost and the future is still to be won
And cares of tomorrow must wait till the day is done.

Come by the hills to the land where fancy is free
And stand where the peaks meet the sky and the rocks reach the sea
Where the rivers run clear and the bracken is gold in the sun
And cares of tomorrow must wait till this day is done.

The Derby Ram

As I went down to Derby,
All on a market day,
I spied the biggest ram, sir,
that ever did feed on hay!

And it's true, me lads, it's true, me lads,
I never was known to lie
And, if you'd been to Derby
You'd seen him same as I

Oh the wool upon this ram, sir,
it reached up to the sky
The eagles built their nest up there,
you can hear their young ones cry

The horns upon this ram, sir,
they reached up to the moon,
A little boy went up in January
and he didn't come back till June

Well the tail upon this ram, sir,
it reached on down to hell
The devil pulled a hank of it
and he rang the fire bell

Dia Luain Dia Mairt


One night through the black,
Poor Donall hunch back
His cart down the glenside was bringing;
When he heard the sweet sound
Of the faeries all round
And this is the song they were singing:
Dia Luain, Dia Mairt
Dia Luain, Dia Mairt
Dia Luain, Dia Mairt...

He stopped in his track,
Poor Donall hunch back,
At the voices so beautifully blending.
Though the music was sweet
It was quite incomplete,
For they couldn't remember the ending:
Dia Luain, Dia Mairt
Dia Luain, Dia Mairt
Dia Luain, Dia Mairt...

Though poor Donall was shy,
He could never stand by
And leave their frustrations unheeded.
So he stifled his fear,
And he sang soft and clear,
Adding the word that they needed.
Dia Luain, Dia Mairt
Dia Luain, Dia Mairt
Dia Luain, Dia Mairt, agus Ceadaine.

And the faeries were glad,
So grateful he had
Put an end to the song they were voicing,
With their magical knack
Took the hump from his back,
And Donall went homeward rejoicing:
Dia Luain, Dia Mairt
Dia Luain, Dia Mairt
Dia Luain ...Dia Mairt.... Ceadaine!

(Move mouse over box to translate!)

Fill the Bright
Douglys/Bella

Sky above is so blue
Clouds changing hue
What to do
Wind alive blows free
Can we see
What it means
To be here

Dancing leaves
In the breeze
Through the trees
Makes me see
Mottled light
Branches sway
Ends the day
Find the way home

Starry skies
Fill the bright
Moonless night
All is right
Everything
Is so clear
We are here
All around

Life all around


Dia Luain Dia Mairt
...
the rest of the story!
The Legend of Knockgrafton
(A traditional tale from Ireland)
in this version Donall is called 'Lusmore'
'Once again your creativity and passion come alive in this wonderful cd!'
-Lady Em, Renfriends.com
Once there was a poor man who dwelt in the fertile glen of Aherlow, at the foot of the dreary Galtee mountains. He had a great hump on his back: he looked just as if his body had been rolled up and placed upon his shoulders; and his head was pressed down with the weight so much, that his chin, when he was sitting, used to rest upon his knees for support.

Though this hunchback was harmless, mean-spirited people had told some strange stories about him, which made others even more frightened of him. Because he was so ugly, people were frightened of meeting him in any lonesome place, yet this poor creature was as harmless and inoffensive as a new-born child. It was spread around that he had a great knowledge of herbs and charms, and this was said in such a way that rather than sounding like a wise doctor, people thought he must be a cunning and miscevious creature with deep, dark secrets and unnatural powers.

But certain it was that he had a mighty skillful hand in plaiting straw and rushes into bats and baskets., which was the way he made his livelihood.

Lusmore, who always wore a sprig of the fairy cap, or lusmore in his little straw hat, would ever get a higher penny for his plaited work than any one else, and perhaps that was why some, out of envy, had circulated the strange stories about him. Well, it happened that he was returning one evening from the town of Cahir towards Cappagh, and as poor Lusmore walked very slowly, on account of the great hump upon his back, it was quite dark when he came to the old moat of Knockgrafton, which stood on the right hand side of his road. Tired and weary was he, and noways comfortable in his own mind at thinking how much farther he had to travel, and that he should be walking all the night; so he sat down under the moat to rest himself, and began looking mournfully enough upon the moon, which,

"Rising in clouded majesty, at length,
Apparent Queen, unveil'd her peerless light,
And o'er the dark her silver mantle threw."

After a while, Lusmore began to hear music unlike any he'd ever heard. It was wild to his ear, and had an unearthly melody. There was nothing unpleasant about it, or frightening. Indeed, Lusmore thought he had never heard any music that was more beautiful, or captivating. It was like the sound of many voices, each mingling and blending with the other so strangely that they seemed to be one, though all singing different strains. The words of the song were these:

Dia Luain, Dia Mairt
Dia Luain, Dia Mairt
Dia Luain, Dia Mairt…

Lusmore listened attentively, scarcely drawing his breath, lest he might lose the slightest note. He now plainly perceived that the singing was within the moat, and, though at first it had charmed him so much, he began to get tired of hearing the same round sung over and over without any change. So, availing himself of the pause when the Da Luan, Da Mort, had been sung three times, he took up the tune and raised it with the words agus Ceadaine, and then went on singing with the voices inside of the moat, Da Luan, Da Mort, finishing the melody, when he pause again came, with Agus Ceadaine. (meaning Monday, Tuesday, and Wednesday.) Well, this was something new to the faeries within the moate Knockgrafton, for the song to which Donall had added a line was a faery melody which they could only remember the first part of. They were so delighted that they instantly resolved to bring this mortal into their midst who was so clever, and had such musical skill.
Immediately, Lusmore found himself grasped up as if by a whirlwind and transported into the company of the faeries. Twirling round and round with the lightness of a straw, to the sweetest music which kept time with his motion, he went through the wall of the moate as if it was made of something less than even fog. Welcoming him, the faeries paid him the greatest honor for they put him up above all the musicians. Servents tended to him, and he had everything to his heart's content. He was made as much of as if he had been the first man in the land.
Presently, Lusmore saw the faeries carrying on a great consultation amongst themselves. Though they had been more than civil to him--far more than civil considering the honor they'd paid him--he began to feel anxious and frightened as he had no idea what they were talking about. Then, a faery stepped out from the rest, came up to him and said,

"Lusmore! Lusmore!
Doubt not, nor deplore,
For the hump which you bore
On your back is no more! -
Look down on the floor,
And view it, Lusmore! "

When these words were said, poor Lusmore felt himself so light, and so happy, that he thought he could have bounded at one jump over the moon. Do you know the rhyme, "Hey diddle diddle, the cat and the fiddle, the cow jumped over the moon. The little dog laughed to see such sport and the dish ran away with the spoon"? That's how Lusmore felt, just like that high-jumping cow. Amazed, he saw his hump tumble down to the ground from his shoulders. Was he free to bear himself like other men finally? Slowly, a little afraid (for his head had so long been weighted down that he was afraid to be too hopeful) he lifted his head a tiny bit from his knee, and it felt so grand, it felt so light. His head felt so light in fact that he even more carefully lifted his head the rest of the way for he was afraid he might knock it against the ceiling of the grand faery hall. Sitting straight now as any man, Lusmore looked round and round in absolute wonder. Everywhere he looked there was such beauty that he was overpowered by the splendor of it all and his head grew dizzy and his eyesight became dim, as if his eyes could no longer bear such radiance. Lusmore fell asleep. When he next opened his eyes it was to the bright sun of broad daylight, and he heard the sweet singing of birds. Lusmore saw he was lying at the foot of the moate of Knockgrafton. All around him cows and sheep grazed peacefully. Suddenly Lusmore remembered the events of the night before. Oh, but had it all only been a dream? Hesitant, Lusmore reached a hand back to feel for his hump, if it was still there. No! The hump was gone. Lusmore leapt up. He looked at his hands, his arms, his chest, his legs, and oh what pride he felt for he saw he was well-shaped. Not only that, he was wearing a very nice new suit of clothes which the faeries must have made for him.
Towards Cappagh Lusmore went, his walk light and carefree, springing up at every step as if he had been all his life a dancing-master. No one who met Lusmore recognized him without his hump.


Of course it was not long before the story of Lusmore's hump got about, and a great wonder was made of it. Through the country, for miles round, it was the talk of every one, high and low.

One morning as Lusmore was sitting contented enough at his cabin-door, up came an old woman to him, and asked if he could direct her to Cappagh? "I need give you no directions, my good woman", said Lusmore, " for this is Cappagh; and who do you want here?"
"I have come, said the woman, "out of Decie's country, in the county of Waterford, looking after one Lusmore, who, I have heard tell, had his hump taken off by the faeries: for there is a son of a gossip of mine has got a hump on him that will be his death; and may be, if he could use the same charm as Lusmore, the hump may be taken off him. And now I have told you the reason of my coming so far: tis to find out about this charm, if I can."

Lusmore, who was ever a good-natured little fellow, told the woman all the particulars; how he had raised the tune for the faeries at Knockgrafton, how his hump had been removed from his shoulder, and how he had got a new suit of clothes into the bargain.

The woman thanked him very much, and then went away quite happy and easy in her own mind. When she came back to her gossip's house, in the county Waterford, she told her every thing that Lusmore had said, and they put the little hump-backed man, who was a peevish and cunning creature from his birth, upon a carraige, and took him all the way across the country. It was a long journey, but they did not care, so long as the hump was taken from off him; and they brought him, just at nightfall, and left him under the old moat of Knockgrafton.

Jack Madden, for that was the humped back man's name, had not been sitting there long when he heard a tune that seemed to be coming from within the moate, and it was much sweeter than before, as the fairies were singing it the way Lusmore had settled it for them, Jack Madden heard,

Dia Luain, Dia Mairt
Dia Luain, Dia Mairt
Dia Luain, Dia Mairt
Agus Ceadaine…

On and on it went, without cease. Jack Madden was in a great hurry to get rid of his hump. Unlike the considerate Lusmore, he never thought of waiting until the faeries were done singing, or watching for an opportunity to "raise the tune higher again" as Lusmore had done. Having heard the faeries sing the tune seven times without stopping, out he bawls, never minding the time, or the humor of the tune,

"Agus Darden, agus Haoin"

which means, "and Thursday, and Friday." You see, Madden had been not only peevish since birth, he'd also been cunning, and Madden thought that if Lusmore had added one day and gotten his hump removed AND a new suit of clothes, then for him to add TWO days would not only get his hump removed but certainly get him two new suits of clothes in the bargain. No sooner had the words passed Madden's lips than he found himself taken up and whisked into the moat with prodigious force. The faeries crowded round him with great rage, screeching and roaring, "Who spoiled our tune?! Who spoiled our tune?!" And one stepped up to him and said -

"Jack Madden! Jack Madden!
Your words came so bad in
The tune we felt glad in; -
This castle you're bad in,
That your life we may sadden :
Here's two bumps for Jack Madden!"

And, can you believe it, the faeries brought Lusmore's hump and put it down on Jack Madden's back beside his own hump! Out of their castle they then kicked him, and in the morning when Jack Madden's mother and her gossip came to look after their little man, they found him half dead, lying at the foot of the moat, with the other hump upon his back. Aghast, the two women looked at each other, but they were afraid to say a thing lest a hump be put upon their own shoulders. So, they took Jack Madden home with them, as downcast in their hearts and their looks as ever two gossips were; and, what, because of the weight of his second hump, and the long journey, Jack Madden died very soon after, leaving, they say, his heavy curse to any one who would ever again be mean-spirited or inconsiderate with the faeries or their friends.

"How do I talk to
a little flower?
Through it I talk to
the Infinite.
And what is the Infinite?
It is the silent, small force...It is that still
small voice that calls up the fairies."
~George Washington Carver
I'm not a naughty faery
The others are just too good.
I do what pleases me at the time
They only do as they should.